Palette Atlas

Japan · Edo period (1603–1868)

歌舞伎舞台

Kabuki Butai · Kabuki Stage

Bold theatrical colors of kumadori makeup and costume silks used to signal character archetypes.

In Practice

The palette, applied.

Three mock compositions built only from the colors above — a designer’s proof that cultural palettes translate into production surfaces.

EDO PERIOD (1603–1868)05歌舞伎舞台KabukiKABUKI STAGE · 5 COLORS

Editorial · Poster

Oshiroi White grounds the field while Beni Red carries the display voice — a pairing built for titling weight.

歌舞伎舞台KKABUKI BUTAIEST. ATLAS · 5 NOTES

Product · Packaging

Beni Red takes the front face; Ruri Blue returns as a narrow band — a tested retail hierarchy.

kabukistage.studioK.WORKABOUTINDEXStories,in pigment.歌舞伎舞台 · Edo referenceVIEW ATLAS →DOWNLOAD01 ORIGIN02 METHOD03 ARCHIVE© ATLAS — 5 SWATCHES FROM EDO PERIOD (1603–1868)

Digital · Interface

Oshiroi White canvas, Stage Black type, Beni Red call-to-action — WCAG-legible contrast without leaving the palette.

Give your design a meaningful narrative — not just a color, but the reason it belongs.

The colors

  • #D0104C

    Beni · Beni Red

    Safflower-extract crimson painted on heroic kumadori faces.

  • #F0F0F0

    白粉

    Oshiroi · Oshiroi White

    Rice-powder base for stage makeup creating an otherworldly pallor.

  • #111111

    黒衣

    Kuroko · Stage Black

    Black worn by stagehands representing invisibility in theatrical convention.

  • #A67D3D

    金茶

    Kincha · Kincha Gold

    Golden-brown of brocade obi worn by wealthy stage characters.

  • #005FA8

    瑠璃色

    Ruri-iro · Ruri Blue

    Lapis-like blue marking supernatural and villainous roles in kumadori.