Palette Atlas

Japan · Edo–Meiji (1603–1912)

着物染色

Kimono Senshoku · Kimono Dyes

Natural plant and mineral dyes used in yūzen and shibori kimono techniques.

In Practice

The palette, applied.

Three mock compositions built only from the colors above — a designer’s proof that cultural palettes translate into production surfaces.

EDO–MEIJI (1603–1912)05着物染色KimonoKIMONO DYES · 5 COLORS

Editorial · Poster

Yamabuki Yellow grounds the field while Yamabuki Yellow carries the display voice — a pairing built for titling weight.

着物染色KKIMONO SENSHOKUEST. ATLAS · 5 NOTES

Product · Packaging

Yamabuki Yellow takes the front face; Enji Crimson returns as a narrow band — a tested retail hierarchy.

kimonodyes.studioK.WORKABOUTINDEXStories,in pigment.着物染色 · Edo–Meiji referenceVIEW ATLAS →DOWNLOAD01 ORIGIN02 METHOD03 ARCHIVE© ATLAS — 5 SWATCHES FROM EDO–MEIJI (1603–1912)

Digital · Interface

Yamabuki Yellow canvas, Ai Indigo type, Yamabuki Yellow call-to-action — WCAG-legible contrast without leaving the palette.

Give your design a meaningful narrative — not just a color, but the reason it belongs.

The colors

  • #223A70

    藍色

    Ai-iro · Ai Indigo

    Fermented Polygonum indigo dye, staple of Japanese textiles for over a millennium.

  • #9E3D3F

    臙脂色

    Enji-iro · Enji Crimson

    Cochineal-derived crimson used in formal furisode sleeves.

  • #E6B422

    山吹色

    Yamabuki-iro · Yamabuki Yellow

    Bright yellow from kerria flower, historically associated with gold coins.

  • #6A4C93

    Murasaki · Murasaki Purple

    Gromwell-root purple, once restricted to imperial family use.

  • #98B46C

    薄萌葱

    Usumoegi · Usumoegi

    Soft green from yomogi mugwort, common in women's summer kimono.