Palette Atlas

Korea · Late Joseon (18th–19th c.)

민화

Minhwa · Minhwa Folk

Bright anonymous folk paintings of tigers, peonies, and books made for commoner homes.

In Practice

The palette, applied.

Three mock compositions built only from the colors above — a designer’s proof that cultural palettes translate into production surfaces.

LATE JOSEON (18TH–19TH C.)05민화MinhwaMINHWA FOLK · 5 COLORS

Editorial · Poster

Rice Paper grounds the field while Peony Red carries the display voice — a pairing built for titling weight.

민화MMINHWAEST. ATLAS · 5 NOTES

Product · Packaging

Peony Red takes the front face; Tiger Yellow returns as a narrow band — a tested retail hierarchy.

minhwafolk.studioM.WORKABOUTINDEXStories,in pigment.민화 · Late referenceVIEW ATLAS →DOWNLOAD01 ORIGIN02 METHOD03 ARCHIVE© ATLAS — 5 SWATCHES FROM LATE JOSEON (18TH–19TH C.)

Digital · Interface

Rice Paper canvas, Crane Blue type, Peony Red call-to-action — WCAG-legible contrast without leaving the palette.

Give your design a meaningful narrative — not just a color, but the reason it belongs.

The colors

  • #D0342C

    모란홍

    Moranhong · Peony Red

    Vermilion of peony blossoms, symbol of wealth in minhwa compositions.

  • #F4C24C

    호피황

    Hopihwang · Tiger Yellow

    Golden yellow of folk-painted tigers that guard doorways from evil.

  • #1E5D8C

    학청

    Hakcheong · Crane Blue

    Indigo-blue of sky around flying cranes representing longevity.

  • #2F6B3D

    송엽색

    Songyeopsaek · Pine Green

    Pine-needle green of the Ten Symbols of Longevity.

  • #F3EAD3

    한지색

    Hanjisaek · Rice Paper

    Warm cream of mulberry paper serving as the folk painting's ground.